Thursday, 29 April 2010
This exhibition is a group show of new work by a diverse range of contemporary artists from the UK, Portugal, Australia, New Zealand, U.S.A and Japan taking as a starting point a humble white handkerchief. Artists working in a wide range of media have been invited to take part, and all have been sent a single handkerchief with which to work. The resulting works will be hung at Cecil Sharp House, the home of the English Folk Dance and Song Society.
Looking beyond their prime role in the dancing kit of Morris dancers, handkerchiefs have a rich history in the framework of society. From high fashion to perfect manners and sexual politics, the handkerchief has played its part as an essential accessory. The show takes its name from the folk song of the same name, a jaunty tale of handkerchiefs and ruin.
The finished works will be hung in Cecil Sharp House throughout May and June, and entry to the show is free.
30 April – 28 June (Tues - Sat, 10am - 6pm)
Private View: 29 April, 6pm
Cecil Sharp House
2 Regents Park Road
Monday, 19 April 2010
Friday, 22 May 2009
Wednesday, 29 April 2009
artist in residence
Cecil Sharp House
As with many other traditional songs, this one may be an amalgamation of two songs, or it may have undergone radical rewriting in the mid-nineteenth century. The earliest versions, called The Wandering Girl, or Once I Loved, dating from perhaps the 1820s, are from the female perspective, and do not include the verses about 'flash company' or a 'yellow handkerchief’. The earliest version I can find with these elements is a broadside, where the song is actually called Flash Company, which is undated but is probably from the 1850s or perhaps a little earlier.
It is quite possible that the song refers to yellow silk handkerchiefs that were popular with sporting types - especially the boxing fraternity - in and around the 1830s. These handkerchiefs were called 'yellow-men' or 'yellow-fancies' and were not like our present pocket-handkerchiefs but were large enough to tie round the neck. The well-known sporting and low life writer, Pierce Egan, includes the following comment in his Book of Sports (1832), 'Sporting the yellow-man. The wipe was bright yellow, made on purpose for him'.
Title: eggs & bacon
Emma Cowan is an artist who sees the details of everyday life with a sense of abundance and fertility for art and inspiration. Drawing from her love of gardening and domestic traditions of making - baking bread, preserving food and sewing, Cowan's work is often photographic, and documents a quirky aesthetic and sense of detail. Originally from NZ but currently working in Australia, her work can most often be found on the internet, in online projects such as www.thepostproject.org or www.anotherweather.org.
Friday, 24 April 2009
Title: Flash company....been the ruin of me
Singer, multi-instrumentalist and DJ Bishi has been described as the doyenne of hybrid music She has studied Sitar at the Ravi Shankar school and was well know as the face of notrious cult nightclub 'Kash Point.'
Her debut album 'Nights at the Circus,' was nominated for a South Bank Award and culminated in a collaboration with The London Symphony Orchestra.
She has been featured on 'Tonight with Jonathan Ross,' and recently composed music for 1923 Silent Classic, 'Salome.'
Essex boy Giles Pearson is a womenswear designer and stylist for the music industry. Most recently working on tour costume for Beth Ditto and Roisin Murphy, Giles also works with vintage wallpaper and pornography to produce stitched male nudes. "I really enjoyed working with Bishi on our hanky panky poo! I felt really inspired by Bishi's cover of Flash Company and the art work from the EP but wanted to work towards something with a more vintage worn out feel, hence the fabric choice and dyeing of the hanky with red wine, cigarettes and tea"
This hanky in collaboration with Giles Pearson was based on the artwork for the single 'On My Own Again,' on which 'Flash Company,' was a B-Side.
Rotating the main image of bishi's head from the single,it resembles an occult style symbol. It is the relationship between the pagan to the pop image and back that has charactarised much of Bishi's work.
Title: Your Mum
Alan Kane is a London based artist. He has worked collaboratively with Turner Prize winner Jeremy Deller including a touring exhibition of contemporary British folk art, Folk Archive. His recent commission The Stratford Hoard opened in February 2009 for Art on the Underground.
Thursday, 23 April 2009
Title: Tea Stained Love
Maggie Tran is a performance based artist, she uses personas and different types of live (re)actions to question and explore ideas on identity, definitions, behaviourisms, habits and general human existence. She creates super stereotypes - polemical categorisations or situations that are the epitome of their kind - reaching a fantastical status/height – a combination of her desires to subvert and to embrace otherwise limited generalisations. She is drawn to extremities, contrasts, opposites, fanaticism and trivialities.
Over the last ten years Bertola has undertaken a number of residencies and commissions, working with organisations such as; Locus+, Newcastle upon Tyne, the Government Art Collection, Triangle Arts Trust and V&A Museum in London. She has exhibited widely across the UK including The Drawing Room, Union, Fieldgate Gallery and Jerwood Space in London and Baltic in Gateshead. Solo shows include International 3, Manchester (2005), Fabrica, Brighton and Firstsite, Colchester (both 2006). International exhibitions include CAC, Vilnius and Kaunas Picture Gallery, Kaunas, Lithuania (both 2007), Galerie M+R Fricke, Berlin (2007/2008) and Artium, Vitoria Gastiez (2008).
Current commissions include the Millennium Gallery in Sheffield, National Museum Wales in Cardiff and Tattershall Castle, a National Trust proerty in Lincolnshire. With forthcoming exhibitions at Workplace Gallery, Gateshead, Oriel Davies Gallery, Newtown and the Fundació Joan Miró, Barcelona.
She is represented by Workplace Gallery, Gateshead and M+R Fricke, Berlin.
Title: Untitled (Form), Dropped handkerchief mounted in found frame, 2009. [detail]
Jon Garlick was born in Leeds, 1985. On completing a Fine Art Foundation course at Leeds College of Art and Design in 2004, he studied BA Fine Art at Central St. Martin’s College of Art & Design graduating in 2007. Exhibition's have included selection by the University of the Arts, London for 'Direction 2007' at the Lethaby Gallery, London and recent shows at Auto-Italia, London and The James Taylor Gallery, London. Jon Garlick continues to live and work in London.
Wednesday, 22 April 2009
Title: Brown Bread
Anna Maltz uses humour to explore identity and societal norms and her practice can be summarised through the belief that art is about having a good time while doing things that have very serious ideas behind it. Anna was born in London, earned a BA from the Middlesex University before moving to San Francisco to live for 5 years. While there, she extensively exhibited and earned an MFA from California College of Arts and Crafts. She now lives and works in London.
Title: Only Living Traditions Will Survive, 2009
Adam Rompel was born in Los Angeles and 'found' art on 24 September 1994, during the Bruce Nauman retrospective at MOCA. He went on to finish his studies at U.C. Berkeley, exhibit his content specific work in SF & LA, and open a project space called Lucky Tackle. Most recently, Adam completed his MA at Saint Martins and now spends his time immersing himself in English traditions through cultural references that were available to him in his youth. Although his work is based in a conceptual practice, his bio is plot driven, which is a prerequisite for being America.
Johnson-Perkins' artwork reflects a retrospective and nostalgic gaze at pop culture, exploring iconic imagery and play. Recently he has used materials and subject matter which have a resonance with adolescent experiences such as Lego, 80's computer graphics, 80's TV programmes and pop music.
He has exhibited in major art spaces in the USA, Russia, Japan, Germany, Spain, Romania, Lithuania and the UK. Including the The IMAC Theatre, New York, USA, National Centre for Contemporary Arts (NCCA), Moscow, Russia, Toyota Museum of Modern Art, Japan, Centre for Contemporary Art (CCA), Glasgow and The Royal College of Art, London.
Monday, 20 April 2009
Title: woven poem (handkerchief), 2008
Alec Finlay is an artist, poet & publisher. Born in Scotland and currently based in Newcastle, he has composed in many minimal forms, including the mesostic, circle poem and, here, the woven poem or monostich. www.alecfinlay.com
Title: from the series 'Love Spray'
Matthew Cowan is a New Zealand born artist who has been working in the UK since 2003. His practice is in the realm of traditional British and European customs. His works are photographs, videos, installations and performances, which play with the inherent strangeness of the continued popularity of long established folk customs in a modern world. Recent shows have been in Newcastle upon Tyne, Poland and New York.
He is currently Artist in Residence at Cecil Sharp House, the headquarters of the English Folk Dance and Song Society.
Born in 1974 Hannah Maybank graduated from the Royal College of Art in 1999. She has had recent solo exhibitions at The New Art Gallery, Walsall and The Hatton Gallery, Newcastle. In 2007 she was 'Artist in Residence' at ArtSway. Her paintings form part of a number of private and public collections, including the British Airways Art Collection and the New Art Gallery, Walsall. Having been a part of a number of group shows, both nationally and internationally, Maybank will be exhibiting at “The New Forest Pavilion” at the 53rd Venice Biennale. She will have her third solo exhibition at Gimpel Fils in November 2009.
Sunday, 19 April 2009
Title: Bindle of Achievable Dreams, 2009, Mixed Media
Through compiling, altering and copying photographs lifted from advertising and mass media, Rachael Gorchov’s work brings these ubiquitous and disposable images to center stage in order to study how they represent American’s collective dreams and daily life.
Rachael attended Tyler School of Art, Temple University and Hunter College, CUNY. Originally from Philadelphia, she currently works and lives in New York City.
Title: Mini Mari
Michelle Bloom is the performance artist otherwise known as Michelle Griffiths, who has exhibited both nationally and internationally. As a post-graduate of the Royal College of Art, she has taught at Wimbledon School of Art and the Ruskin School of Drawing and Fine Art at Oxford University. Her performances over the last 12 years have been spectacles and re-enactments of spectacles. In these she has created tableaux and events that recall dreams and forgotten images in the viewer; of martyrs, legends and folk traditions, and spectacles that have not yet happened.
As a member of the EFDSS and participant in May Day folk events, she is embarking on research that maps the common ground between traditional folk practices and performance art and tests re-enactment as a low-fi method of documentation.
Title: John Thomas
Hayley Lock’s practice is based on reproduction and reconfiguration. Recent works have focused her interests towards hierarchical and fantastical subjects of monarchy and noble folk. The work derives from a cross - cultural mix of folklore, slang and imaginary alternative secret societies with its roots based alongside traditional European painting whilst appearing to mock the human desire for self-aggrandisement, questioning taste and how it is constructed socially. Lock’s practice has a tendency to be figurative within its subject of reworking old works, suggesting a darker side to the seductiveness of beauty whilst disrupting the real.
David McKeren studied at Southport College and Liverpool John Moores University 1996-1999. He has been exhibiting since 1992. He has had solo exhibitions in UK and group shows in UK and Europe. His work has been shown at art fairs in the UK, Europe and New York. He is represented by Philips Contemporary Art and his work is held in private collections in the UK, Europe and the USA.
Paul Hearn is an artist, graphic designer and collagist who currently resides and works in Poole.
He has created his own website LustrousChemistry as an attempt to align the many facets of his sometimes disparate practice. He has an affinity towards music and has worked closely with musicians on a variety of projects. Paul also has a love of contradictions, paradoxes and double-entendres.
Michal Pashtan was born in Canada, grew up in Israel, and has lived in Berlin and London. She is occupied with tracing or capturing a sense of belonging, whether searching for dreams, or home, or something unknown. Her work is as full of tension as it is serene and reflective.
Matthew Green is from London. He produces immersive works of installation and sculpture that hypothesize impossibly idealistic worlds, allowing them to glorify themselves before they self-destruct.
Title: 'Tess', 2009, oil, canvas and thread on dyed hankerchief
Cathy Lomax is an artist, writer and curator. She runs Transition Gallery in east London and edits and publishes two art and culture magazines, Arty and Garageland. Lomax completed her MA in Fine Art at Central St Martins in 2003 and her recent exhibitions include The Image Duplicator at Contemporary Art Projects, The Golden Record at Collective Gallery, Edinburgh and The Collection, Lincoln, Remember My Name, Sartorial, London, New London School at Mark Moore Gallery, LA, USA and Vignettes at Rosy Wilde, London.
David Owen is a graphic artist from Whitby with "a highly individual and somewhat unconventional worldview - A wierd slant towards pop art with a twist of carnival thrown in for good measure - a bastard son of Joseph Cornell and Peter Blake. He's handy with a scapel and an Apple Mac and can best be described as "cheerfully subversive".
Clare Qualmann is a London based artist whose work is concerned with the ordinary and unnoticed – looking for beauty in the everyday mundane. She works across a wide range of media ranging from drawing and sculpture to artists books and live art events. Repetition, domesticity, routine and the collecting and collating of words, images and artefacts provides the
starting point for much of her work. Qualmann also works as part of the collaborative practice 'walkwalkwalk: an archaeology of the familiar and forgotten', and is an associate lecturer at London Metropolitan University.
Michael Davies is a member of the Byker Mummers and an artist based in North-east England. Central to his recent artistic production have been bricolage images of domestic banality and escapism. A recurring motif for the artist has been of flying ducks; here altered to suggest bullet wounds, shell bursts or flowers... which appear to resonate with the use of white handkerchiefs as both love tokens and signals of surrender.
Ele Carpenter stitched this handkerchief at the Umea Folk Festival in Northern Sweden, February 2009. http://umefolk.umeafolkmusik.se/
On arriving in Sweden Nano Stern (www.nanostern.com
Title: Brown Spotted Mouse
Billy Childish is an English artist, author, poet, photographer, film maker, singer and guitarist. He is a consistent advocate for amateurism and free emotional expression and was a co-founder of the Stuckism art group in 1999 which he left in 2001. Since then a new evaluation of Childish's standing in the art world has been underway, culminating with the publication of a critical study of Childish's working practice by the artist and writer Neal Brown, with an introduction by Peter Doig, which describes Childish as "one of the most outstanding, and often misunderstood, figures on the British art scene."
Title: Some Irregularities
Pete McPartlan is an artist and experimental film maker working with generative music software, soldering iron, vhs tapes, a pen and scraps of paper. His drawings are about differences in meaning of composed(deliberate), improvised, random and arbitrary mark making.
Title: Goodbye England's Rose, 2009
Kathryn Johnson is an artist living and working in Newcastle, she works mainly with sculpture and installation, making realistic copies of undervalued or disregarded things. The resulting sculptural forms are made from the manipulation of a wide range of readily available materials sometimes encompassing found objects. Their staging is given a heightened sense of drama due to alterations of form, scale or unexpected placements.
David Foggo is a Newcastle-based artist who works in sculpture, installation, photography and text. David also writes haiku poetry, aphorisms and pun-based wordplay which also informs his practice. He graduated from his MFA at Newcastle University in 2007 and currently has a studio at the Waygood organisation in Newcastle.
Title: Country House, Acrylic on hanky
Caterina Lewis was born in London in 1977. She studied at Central Saint Martins, The University of Fine Arts in Budapest and was awarded a research scholarship in Oslo. She has exhibited in London, Oslo and Budapest and participated in performances during the exhibition Fluxus East in Berlin. She recently organised and curated the group exhibition Private Practice 1 & 2 in Budapest and London. She currently lives and works in London.
Title: Empty Handkerchief
Claire Undy was born in Nottinghamshire in 1986, and moved to London in 2006 to study Fine Art: Painting at Wimbledon College of Art, and will graduate in June 2009. Most recently she has shown work in the Et Cetera Gallery, London; Deutsche Postbank, London; and as part of the Hans Brinker Budget Trophy 2008 in Amsterdam. She makes abstract paintings which are primarily concerned with the relationship between the painting and the viewer.
Title: Hanky Love
Sarah Foqué is a Belgian artist/landscape architect based in the UK. Her practice focuses on the mapping and exploration of space and its boundaries. She uses tape or occasionally other media to visualize her understanding of the context she works in.
With this work the artist explores the different uses of hankies and translated it into a pattern, which she then printed onto the hanky. Although this work does no relate to space as Sarah's previous works, it still has the same aesthetics. The pattern on the hanky can be read like a map and tell its cultural story.
Title: Over: Protestation Handkerchief
Gail Burton works with ephemeral materials, such as cigarette papers, tissues and paper napkins, to make drawings and paintings that emphasize the vulnerability of the artwork. Her work recurrently deploys a single word or short phrase – ‘psychic dregs’, fragments of news stories, government health warnings, and extracts of diaries (like bits of songs that got stuck in your head) co-exist and repeat. Rather than fade into the distance of historical detritus, these fragmentary moments are extricated and commemorated in her work.
Gail Burton is part of the collaborative live art project walkwalkwalk. Her drawings are documented on the blog http://matchboxrizla.blogspot.
Title: The last wave
Keara Stewart lives and works in London and graduated from Camberwell College of Arts in 2007 (BA Hons Drawing). Often making drawings from collected images and working with scavenged objects, her work explores memory, unknown narratives and forgotten places. Recent exhibitions include Pretty Vacant, Transition Gallery, London; Forget Me, Fort Brockhurst, Hampshire; That’s Entertainment, Transition @ Whitstable Biennale Satellite Projects; TAMTAM Festival, Leiden North, Netherlands (all 2008).
Title: Handkerchief Girl 1972
Helen Smith is an artist and founder of Waygood, an artist led gallery & studios in Newcastle upon Tyne, UK. Her paintings depict girls and women, often in the guise of boys and men. They are a kind of diary that is a mixture of personal experiences, current news gleaned from her studio-radio and sheer fantasy.
Helen is happy to email photographs of her work and studio to anyone who get’s in touch. firstname.lastname@example.org
Saturday, 18 April 2009
Hyungji Park is a Korean artist who lives and works in London.
"Doing drawing is like having a little break under the sunshine for me.
It is as if the moment allows you to enjoy the moment itself.
I grope around the moment by using simple and light gesture in my drawing."